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Strip with Four Scenes
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Femme Lisant 1948
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Femme Aux Cheveux Bouclés 1948
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Pablo Picasso- a brief Biography Early life
Pablo Picasso 's father was José Ruiz Blasco, a painter whose specialty was the naturalistic depiction of birds, and who for most of his life was also a professor of art at the School of Fine Arts and Crafts and a curator of a local museum. The young Pablo Picasso showed a passion and a skill for drawing from an early age; in fact his first words were " 'piz, 'piz," a shortening of the Spanish word for pencil, "lapiz," in order to draw the pigeons he saw outside of his window.[citation needed] It was from his father that Pablo Picasso had his first formal academic art training, such as figure drawing and painting in oil. Although Pablo Picasso attended art schools throughout his childhood, often those where Picasso's father taught, he never finished his college-level course of study at the Academy of Arts (Academia de San Fernando) in Madrid, leaving after less than a year. The Museu Pablo Picasso in Barcelona features many of Pablo Picasso 's early works, created while he was living in Spain, as well as the extensive collection of Jaime Sabartés, Pablo Picasso 's close friend from his Barcelona days who, for many years, was Pablo Picasso 's personal secretary. There are many precise and detailed figure studies done in his youth under Picasso's father's tutelage, as well as rarely seen works from his old age that clearly demonstrate Pablo Picasso 's firm grounding in classical techniques. Pablo Picasso used harlequins in many of his early works, especially in his Blue and Rose Periods. A comedic character usually depicted in checkered patterned clothing, the harlequin became a personal symbol for Pablo Picasso . During the 1930s, the minotaur replaced the harlequin as a motif which he used often in Picasso's work. His use of the minotaur came partly from his contact with the surrealists, who often used it as their symbol, and appears in Pablo Picasso 's Guernica.
Pablo Picasso remained neutral during the Spanish Civil War, World War I and World War II, refusing to fight for any side or country. Pablo Picasso never commented on this but encouraged the idea that it was because he was a pacifist. Some of his contemporaries though (including Braque) felt that this neutrality had more to do with cowardice than principle. As a Spanish citizen living in France, Pablo Picasso was under no compulsion to fight against the invading Germans in either world war. In the Spanish Civil War, service for Spaniards living abroad was optional and would have involved a voluntary return to the country to join either side. While Pablo Picasso expressed anger and condemnation of Franco and the Fascists through his art he did not take up arms against them. He also remained aloof from the Catalan independence movement during his youth despite expressing general support and being friendly with activists within it. No political movement seemed to compel his support to any great degree, though he did become a member of the Communist Party. During the Second World War, Pablo Picasso resided in Paris when the Germans occupied the city. The Nazis hated his style of painting, so he was not able to show his works during this time. He retreated into his studio, continuing to paint all the while. While the Germans outlawed bronze casting in Paris, Pablo Picasso was still able to continue because of the French resistance who would smuggle bronze to him. Arguably Pablo Picasso 's most famous work is his depiction of the German bombing of Guernica, Spain — Guernica. This large canvas embodies for many the inhumanity, brutality and hopelessness of war. The act of painting was captured in a series of photographs by Pablo Picasso 's most famous lover, Dora Maar, a distinguished artist in her own right. Guernica hung in New York's Museum of Modern Art for many years. In 1981 Guernica was returned to Spain and exhibited at the Casón del Buen Retiro. In 1992 the painting hung in the Madrid's Reina Sofía Museum when it opened. After the Second World War, Pablo Picasso rejoined the French Communist Party, and even attended an international peace conference in Poland. But party criticism of a portrait of Stalin as insufficiently realistic cooled Pablo Picasso 's interest in Communist politics, though he remained a loyal member of the Communist Party until his death. His beliefs tended towards anarcho-communism.
Pablo Picasso hated to be alone when he wasn't working. In Paris, in addition to having a distinguished coterie of friends in the Montmartre and Montparnasse quarters, including André Breton, Guillaume Apollinaire, writer Gertrude Stein and others, he usually maintained a number of mistresses in addition to his wife or primary partner. Pablo Picasso married twice and had four children by three women. In the early years of the twentieth century, Pablo Picasso , still a struggling youth, began a long term relationship with Fernande Olivier. It is she who appears in many of the Rose period paintings. After garnering fame and some fortune, Pablo Picasso left Olivier for Marcelle Humbert, whom Pablo Picasso called Eva. Pablo Picasso included declarations of his love for Eva in many Cubist works. Humbert was diagnosed with cancer and during her rapid deterioration, Pablo Picasso administered to her every need, making daily trips across Paris to visit her in the hospital. In 1918, Pablo Picasso married Olga Khokhlova, a ballerina with Sergei Diaghilev's troupe, for whom Pablo Picasso was designing a ballet, Parade, in Rome. Khokhlova introduced Pablo Picasso to high society, formal dinner parties, and all the social niceties attendant on the life of the rich in 1920s Paris. The two had a son, Paulo, who would grow up to be a dissolute motorcycle racer and chauffeur to his father. Khokhlova's insistence on social propriety clashed with Pablo Picasso 's bohemian tendencies and the two lived in a state of constant conflict. In 1927 Pablo Picasso met 17 year old Marie-Thérèse Walter and began a secret affair with her. Pablo Picasso 's marriage to Khokhlova soon ended in separation rather than divorce, as French law required an even division of property in the case of divorce and Pablo Picasso did not want Khokhlova to have half his wealth. The two remained legally married until Khokhlova's death in 1955. Pablo Picasso carried on a long-standing affair with Walter and fathered a daughter, Maia, with her. Marie-Thérèse lived in the vain hope that Pablo Picasso would one day marry her and hanged herself four years after Pablo Picasso 's death. The photographer and painter Dora Maar was also a constant companion and lover of Pablo Picasso . The two were closest in the late 1930s and early 1940s and it was Dora Maar who documented the painting of Guernica.
He went through a difficult period after Gilot's departure, coming to terms with his advancing age and his perception that he was an old man, now in his 70s, who was no longer attractive, but rather grotesque to young women. A number of ink drawings from this period explore this theme of the hideous old dwarf as buffoonish counterpoint to the beautiful young girl, including several from a six-week affair with Geneviève Laporte, who in June 2005 auctioned off the drawings Pablo Picasso made of her. Pablo Picasso was not long in finding another lover, Jacqueline Roque. Roque worked at the Madoura Pottery, where Pablo Picasso made and painted ceramics. The two remained together for the rest of Pablo Picasso 's life, marrying in 1961. Their marriage was also the means of one last act of revenge against Gilot. Gilot had been seeking a legal means to legitimize her children with Pablo Picasso , Claude and Paloma. With Pablo Picasso 's encouragement, she had arranged to divorce her then husband, Luc Simon, and marry Pablo Picasso to secure her children's rights. Pablo Picasso then secretly married Roque after Gilot had filed for divorce in order to exact his revenge for her leaving him. In addition to his manifold artistic accomplishments, Pablo Picasso had a film career, including a cameo appearance in Jean Cocteau's Testament of Orpheus. Pablo Picasso always played himself in his film appearances. Picasso's Later works In the 1950s Picasso's style changed once again as he began looking at the art of the great masters, and making new art about it. He made a series of works based on Velazquez's painting of Las Meninas. Picasso also based paintings on works of art by Goya, Poussin, Manet, Courbet and Delacroix. During this time he lived at Cannes and in 1955 helped make the film Le Mystère Picasso (The Mystery of Pablo Picasso ) directed by Henri-Georges Clouzot. Pablo Picasso had constructed a huge gothic structure and could afford large villas in the south of France, at Notre-dame-de-vie on the outskirts of Mougins, in the Provence-Alpes-Côte d'Azur. The media would give Picasso much attention, though they were often more interested in his personal life than his art.
In his 80s and 90s, Pablo Picasso, no longer quite the energetic dynamo he had been in his youth, struggled with impotency. To a man for whom sex was such an important part of life (and of his public persona), this was a serious life change and Pablo Picasso seems to have dealt with it by redoubling his already prolific artistic output. Picasso 's final works were a mixture of styles, his styles and periods changing right until the end of his life. Devoting his full energies to his work, Pablo Picasso became more daring, his works more colourful and expressive, and from 1968 through 1971 Picasso produced a torrent of paintings and hundreds of copperplate etchings. At the time these works were dismissed by most as pornographic fantasies of an impotent old man or the slapdash works of an artist who was past his prime. One long time admirer, Douglas Cooper, called them "the incoherent scribblings of a frenetic old man". Only later, after Pablo Picasso 's death, when the rest of the art world had moved on from abstract expressionism, did the critical community come to see that Pablo Picasso had already discovered neo-expressionism and was, as usual, ahead of his time. Pablo Picasso died on April 8, 1973 in Mougins, France, and was interred at Castle Vauvenargues' park, in Vauvenargues, Bouches-du-Rhône. Jacqueline Roque prevented his children Claude and Paloma from attending the funeral. His final words were "drink to me". Picasso's Legacy At the time of Picasso's death many of his paintings were in his possession, as he had kept off the art market what he didn't need to sell. In addition, Pablo Picasso had a considerable collection of the work of other famous artists, some his contemporaries, such as Henri Matisse, with whom he had exchanged works. Since Pablo Picasso left no will, his death duties (estate tax) to the French state, were paid in the form of his works and others from his collection. These works form the core of the immense and representative collection of the Musée Pablo Picasso in Paris. In 2003, relatives of Pablo Picasso inaugurated a museum dedicated to him in his birthplace, Málaga, Spain, the Museo Pablo Picasso Málaga. Picasso's works can be bought from the Modern Art Dealer, Caroline Wiseman. Please visit her web site www.carolinewiseman.com to view more works for sale. |